Many real-life depictions of anime and manga properties tend to fall flat among fans. However, there’s one notable exception. “2.5D Musicals” (2.5ๆฌกๅ ใใฅใผใธใซใซ,ย 2.5 jigen myujikaru), or Anime Musicals.
2.5D musicals fall in between two-dimensional โflatโ media – in other words, anime and manga – and our real, three-dimensional world. 2.5D aims for something in between, where anime meets real life. And its popularity suggests that it’s the anime/reality hybrid that fans have been waiting for.
Betrayal of expectations
We anime and manga fans have all felt it before. There’s the momentary excitement at the mention of a favorite anime series getting a new, live-action movie. That’s quickly followed by disappointment as we realize…itโs probably going to suck.
Why do so many people hate on live-action anime adaptions?
One reason is that there are many elements that are just hard to recreate in real life. These include magic, superpowers, mythical creatures, and the like. These usually end up being portrayed by less-than-perfect computer graphics that look awkward when contrasted with the rest of the real-life background.
However, there’s another key reason. Often, the human actors just donโt look anything like their respective characters. We saw this backlash in 2019 when fans lashed out over the depiction of characters in the then-newly-developed Sonic movie.
Are fans just being too unreasonable in desiring a more accurate depiction of a cartoon character in real life?
Anime musicals show that the answer is a resounding “nope.”
The Takarazuka Revue and the first anime musical
The first official Japanese-based media 2.5D production that sparked the boom was the 2003 musical adaption ofย The Prince of Tennis. It attracted over 2 million visitors during its run. Social media word of mouth helped its success – and helped birth a new genre.
However, the first actual manga-based production was performed in 1974 by the Takarazuka Revue. The Rose of Versaillesย (ใใซใตใคใฆใฎใฐใ), proceeded the development of anime and manga musicals as a genre.
The Takarazuka Revue is a huge part of Japanโs theater scene, established in the town of Takarazuka, Hyogo Prefecture, in 1913. It’s comprised of all-female performers and often likened to a Broadway act. Its structure was based on a reversed-roles version of kabuki, in which all roles are played by men.
Takurazuka’s productions are widely based on folklore, Western musicals, and yes, even manga stories. In fact, it was Takarazuka that established “anime musicals” as a concept.
Overshadowed by other art forms
Their performance ofย The Rose of Versaillesย was certainly a catalyst for the growth of Takurazuka’s popularity as a group. However, the concept of “anime musicals” still had a ways to grow.
This is likely because anime musicals as a genre were still overshadowed by Western musicals. There are also traditional forms of Japanese theater, such as noh and kabuki.
These still exist and play a great role in the development of other forms of theater. Older generations sometimes fears the loss of their precious culture due to the youthโs growing obsession with technology. Yet what better way to reignite that interest than combining the two โ theater and technology โ in a way that is enjoyable to everyone, including kids?
Anime Musicals: Bringing anime to life
With this history of theatrical performances and knack for technology it was only a matter of time for the birth of the anime musical. Its ever-growing popularity only offers more room for the expansion and development of even greater stage technology.
But what kind of technology is necessary to recreate an entire anime musical?
The first thing (anime lovers, rejoice!) is the special attention the actors give to portraying their characters as accurately as possible, down to the looks, attitude, and even movements. The costumes are carefully styled to look as close to the original character as possible. The dialogue, sound effects, and visual cues are all perfectly timed, and the acting incorporates exaggerated motions, expressions, and freeze-frame poses, to give the appearance of watching an actual cartoon.
Special effects
Depending on the anime on which the performance is based on, it may also employ additional special effects. For example, the use of trampolines and acrobatics to depict the exciting ninja battles of the Naruto musical; props and pantomime techniques to enact a bicycle race without the use of actual bicycles inย Yowamushi Pedal; and projection mapping for other visual effects such as background images, and images from the actual anime or manga to add to the scene.
Another useful technology employed not on stage, but right in your seat, is the use of subtitle glasses available in English and several other languages so that overseas visitors can be a part of the fun, too.
Of course, being a musical, there is also singing! What could be more fun than watching your favorite anime characters singing and dancing right before your very eyes, in REAL LIFE?
Despite using no computer graphics, the excitement, engagement, and attention to detail and accuracy creates an experience more enjoyable for fans than live action movies. Live musicals donโt demand the high level of perfection such as โrealisticโ graphics and heavy editing expected from films, and are all about the in-the-moment action, and feeling like youโre part of the scene. And unlike another popular, similar-yet-different form of live entertainment, Vocaloid, the scenes are played by actual human beings, giving more life to fans’ favorite characters.
No business like show business
What does this modern form of stage technology mean for Japan? It means another healthy revenue stream from its largest cultural export.
As mentioned above, the 2.5-D musical movement reached a boom with the production ofย The Prince of Tennis. The success of “this production “Temiyu” lead its producer Matsuda Makoto to coin the term โ2.5D musical.โ
Matsuda also establishedย the Japan 2.5-Dimensional Musical Association, as well as a permanent theater for 2.5D shows in Tokyo, the AiiA 2.5 Theater. Bringing in over 2 million viewers, Tenimyu boosted the awareness of manga musicals, and soon, many other manga publishers followed suit and jumped aboard the 2.D musical train.
Nearly 70 anime musicals were produced in 2013 after the boom that piggybacked off the initial success of Tenimyu, and the numbers have been increasing. Though initially targeted to young females in Japan, as word spread like wildfire, older fans soon flocked in to get a taste of nostalgia. And the Japanese pop-culture craze that still flourishes overseas didn’t let this trend fly under the radar, either.
The huge interest from foreign fans has contributed greatly to the art form’s development in success. Acts in Japan are now an important addition to many tourist’s itineraries, and some of the more popular productions have expanded to hold live performances overseas. 2.5D musicals have even made their way into the states, with the most recent adaption being the live action Sailor Moon musical. In fact, it showed right here in New York last month! (Still low-key jealous that so many of my friends got to see it and I didnโt…but I digress!)
The Future Of Japanese Pop Culture?
The worldwide popularity of 2.D musicals shows promise that the business could become a major form of entertainment. That fact isn’t lost on the academic world. A Tokyo college has become the first institution to establish 2.5D Musicals as an official college major. The college offers a curriculum that includes classes in essential acoustics, illumination machinery operation, stage planning, and scriptwriting as its four key subjects. Other lessons throughout the curriculum include stage makeup, vocals and dance, and sword fighting.
Anime, theater, and technology are significant parts of Japanese culture. they are likely to continue to remain and grow with the times. And the combination of all three has created a movement so innovative and with so much potential for growth, it’s exciting to see what this means for the future of not just theater and anime, but entertainment and Japan as a whole.
2.D musicals bring in all kinds of people, but its popularity with the younger generation as well as international audiences show promise for continued development. And the passion and enthusiasm of the actors brings our favorite cartoons to life in a new and unique way no other form of media has done before. Now if only live-action movie directors could take some notes on character styling and development, all would be right in the world of live-action entertainment.
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Sources
ๆ่ฟใใ่ใโ2.5ๆฌกๅ โใใใฎๅฎ็พฉใจใฏ๏ผOricon News
โ2.5ๆฌกๅ ่ๅฐโใซใใใฃใ35ๆญณใฎ็ทๆงใฉใคใฟใผใใใใฎ้ญ ๅใไผใใในใ็ฑๅผใใตใใฃใฆใฟใโโใฒใผใ ใใขใใกใฎไธ็ใๅบใใ่ณ็ฆใฎใจใณใฟใก. Denfaminico Gamer
2.5ๆฌกๅ ใใฅใผใธใซใซใฎ็ใไธใใใ่ชฟในใใใ็ทปๅฏใซ่ใใใใฆใใฉใณใใฃใณใฐใใฆใใ่ฉฑ. Scenario Club
Department of 2.5D acting. Yoani
After trailer outcry,ย Sonic the Hedgehogย director tells fans to expect โchangesโ. ArsTechnica
